Robert Thornton and The Siege of Jerusalem
Identifieur interne : 000481 ( Main/Exploration ); précédent : 000480; suivant : 000482Robert Thornton and The Siege of Jerusalem
Auteurs : Michael JohnstonSource :
- [ 0890-2917 ]
English descriptors
- Teeft :
- Affective, Affective piety, Affective response, Alex mueller, Alle, Alliterative, Alliterative morte, Alliterative morte arthure, Alliterative revival, Alliterative siege, Anthony bale, Arabas, Augustinian historian, Augustinian theology, Bello judaico, Biblical history, Binary logic, Bodleian, Bodleian library, Bolton abbey, Brewer, British library, California press, Cambridge university press, Charlemagne, Charlemagne romance, Chaucer review, Christ killer, Christian identity, Christian imperialism, Christianized roman, Chronological sequence, Codex, Compilation process, Conscious decision, Copying, Corporal terror, Critical attention, Cursor, Cursor mundi, David lawton, Decorative scheme, Devotional, Devotional context, Devotional text, Diplomatic transcription, Dorothee metlitzki, Early reader, English poetry, Ethical nuance, Excellent discussion, Exemplar poverty, Extant manuscript, Fifteenth century, Final result, Final shape, Folio, Fols, Fols imev, French chivalry, Further evidence, Great length, Greater detail, Hanna, Hardman, Historical context, Historical narrative, Historical text, Holy spirit, Imev, Jeremy cohen, Jerusalem, Jewish community, Jewish crowd, Jewish member, Josephus, Keiser, Lambeth palace, Late medieval, Late medieval compiler, Late medieval england, Late stage, Latin josephus, Laud misc, Lawton, Lincoln cathedral, Lincoln cathedral library, Lincoln manuscript, Line note, Line robert thornton, Literary intelligence, London manuscript, London thornton manuscript, Manuscript, Manuscript compiler, Manuscript context, Marian lyric, Meaningful combination, Meaningful sequence, Medieval book, Medieval christian, Medieval christianity, Medieval england, Medieval institute publication, Medieval literature, Medieval narrative, Medieval reader, Medieval romance, Medieval siege, Meditaciones vita christi, Melayne, Michael johnston, Middle age, Middle english, Middle english book, Middle english charlemagne romance, Middle english poetry, Middle english romance, Modern philology, Moral defect, Morte, Morte arthure, Mundi, Muslim, Northern passion, Nuanced reading, Octosyllabic couplet, Opening section, Opening sequence, Opening series, Opening text, Other extant version, Other manuscript, Other version, Otuel, Oxford university press, Passion lyric, Passion narrative, Phillipa hardman, Pilate, Preliis alexandri magni, Princeton manuscript, Prose life, Pulp fiction, Quire, Quire division, Quire signature, Ralph hanna, Recent critic, Recent criticism, Richard frampton, Robert book, Robert thornton, Roland, Romance, Roxburghe club, Saracen, Scribe, Second section, Second selection, Sege, Siege, Similar material, Similar text, Subsequent line, Subtle sympathy, Such moment, Sultan arabas, Suzanne conklin akbari, Term redolent, Textual, Textual sequence, Textual variant, Thornton, Thornton manuscript, Titus, University library, Vernacular devotion, Vespasian, Yale university press.
Abstract
This essay examines the function of The Siege of Jerusalem within the so-called London Thornton Manuscript. This romance has received much critical attention of late, most of which has suggested that this text queries dominant ideas of anti-Judaism. By examining the interpretation of The Siege encouraged by this manuscript, the author argues that Thornton, the manuscript compiler, has gone to great lengths to place this text within an anti-Jewish, Christian imperialist historiography.
Url:
DOI: 10.1484/J.YLS.1.100475
Affiliations:
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Le document en format XML
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<front><div type="abstract" xml:lang="en">This essay examines the function of The Siege of Jerusalem within the so-called London Thornton Manuscript. This romance has received much critical attention of late, most of which has suggested that this text queries dominant ideas of anti-Judaism. By examining the interpretation of The Siege encouraged by this manuscript, the author argues that Thornton, the manuscript compiler, has gone to great lengths to place this text within an anti-Jewish, Christian imperialist historiography.</div>
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